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Elmyra Duff - Bears a strong 'wesembwance' to Elmer Fudd (she kind of resembles him in a wig and dress, and then there's the last name), but without the speech impediment.Oddly, the Big Bad of Hellsing might be named after him. The richest and meanest kid in Acme Acres, and owner of the legendary Acme company. Montana Max - Based on Yosemite Sam in name and temperament.Unlike Pepe, however, she seems to have far more control over her odor, she's a tad more melodramatic, and she doesn't have a problem with her object of desire chasing her. Fifi La Fume - A purple female skunk who's just as oversexed as her male counterpart, Pepe Le Pew.About the furthest distanced from his counterpart, Porky, out of all the characters. Pig - A neat freak who acts more like Plucky's sidekick.

Plucky Duck - A green (he's a mallard), white tank-top-wearing Daffy who's about as scheming and (un)successful as his inspiration.While Buster was the Straight Man, Babs had more of a concrete personality, and was known for her excellent impersonations. Served as the main characters and would alternate between Like Brother and Sister and love interests of each other. Buster and Babs Bunny (' no relation') - A (respectively) blue and pink pair of Bugs Bunnys.After it left the Fox Kids lineup in 1995, it's since been shown in reruns on Nickelodeon, Kids WB, Cartoon Network, and the Nicktoons Network. Many of the stations that ran it were FOX affiliates, leading to Fox officially adding it to the afternoon lineup for its last season (1992-1993). TTA premiered in syndication in the fall of 1990. It was also one of the first shows to contribute to the '90s animation boom, following The Simpsons by less than a year. TTA started the Silver Age of Warner Brothers cartoons, resulting in similar shows that shared many of the same tropes and were produced in much the same way (writing, storyboards, key animation and voice work done in the US, inbetweening done by Asian studios ( TMS excluded preferring to do most of their own work themselves, albeit with an uncredited staff), Steven Spielberg as executive producer). It was executive produced by Steven Spielberg, who, along with fellow executive Tom Ruegger, thought the Looney Tunes style was due for a make-over on television after the success of Who Framed Roger Rabbit?. This continues the proud tradition of Warner Brothers Animation having a heavy dose of meta-humor, shtick and Lampshade Hanging of many cartoon tropes, but this also incorporated themes of teen adolescence, Aesops, and nineties sensibilities. But rather than pure rip-offs, they were actually being taught in school by the originals on being funny and the finer parts of Cartoon Physics and being a Toon. A revival of sorts for the Looney Tunes style of comedy, using teenage Toons highly reminiscent of several classic characters.

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